 |
roger woodward
From 1965 to 1969, he pursued postgraduate studies at the Chopin University of Music, with Zbigniew Drzewiecki. During summer breaks he spent most of his time in London with Arthur Hedley
and his library of original Chopin manuscripts. He began performing recitals at the Wigmore Hall and South Bank. During this period he performed throughout Poland
at the Twenty-Third International Chopin Festival, Duszniki-Zdrój (1968), at Żelazowa Wola, at the Kraków Spring Festival (1968), at the Ostrowski Palace;
with the Warsaw National Philarmonic Orchestra, with regional orchestras, and for Polish Radio and Television. By 1969 he had also built a considerable repertoire of 20th-century compositions and performed Tōru Takemitsu's Uninterrupted Rest to the composer, who dedicated the work to him.
Two further dedications followed in 1973, For Away and Corona (London version). In 1969-70, Woodward toured widely with the Wiener Trio and was artist in residence at the
Casa de las Américas before performing at UNESCO's Jeunesses Musicales where Yehudi Menuhin was jury member. The following year he made his debut with the
Royal Philharmonic Orchestra at the Royal Festival Hall and, on Menuhin's recommendation, his first four recordings for EMI. In 1971, Woodward performed his first recital at
London's Queen Elizabeth Hall with works by Richard Meale, Ross Edwards, Leo Brouwer, Takemitsu, and Barraqué, after which he was invited to co-found a series of new music concerts
known as the London Music Digest at the Roundhouse. Digest performances of Barraqué's Sonate pour piano were followed by the recording at EMI's Abbey Road Studios. During the same period, Woodward worked with
David Tudor and John Cage for the British premiere of HPSCHD at the International Carnival of Experimental Sound and the BBC Proms. Further collaborations were undertaken with
Karlheinz Stockhausen at the Royal Festival Hall and with Tōru Takemitsu at the Music Today Festival, Tokyo. A series of performances followed with Pierre Boulez and the
BBC Symphony Orchestra. In 1972, Woodward made his American debut with the brass players of the Los Angeles Philharmonic, Olivier Messiaen and Zubin Mehta,
with whom he subsequently performed in Tel Aviv, Jerusalem, New York and Paris. The following year, Woodward worked with Stockhausen on Mantra.
In 1973 he participated in the inaugural celebrations of the Sydney Opera House as a part of tours for the Australian Broadcasting Commission and Musica Viva which included
first performances of works by Peter Sculthorpe, Ross Edwards, Barry Conyngham and Anne Boyd. A collaboration began with Iannis Xenakis (1973-96)
in France, the UK, Austria, Italy and the United States, during which the composer dedicated three works to Woodward:
Mists for solo piano, Keqrops for piano and orchestra, and Paille in the Wind for piano and cello. In 1974, Witold Rowicki invited Woodward on an extensive tour of the US with the Warsaw Philharmonic Orchestra, during which he made his debut at Carnegie Hall.
That year, Woodward founded Music Rostrum Australia at the Sydney Opera House where he collaborated with Richard Meale, Luciano Berio, Cathy Berberian, David Gulpilil and Yūji Takahashi.
He began performing with the Cleveland Orchestra directed by Lorin Maazel, and appeared regularly at the Festival d'automne à Paris, BBC Promenade Concerts, La Biennale di Venezia,
the Warszawska Jesień, Festival Internacional Cervantino, Wien Modern at the invitation of Claudio Abbado, at the New York Piano Festival, Festival de la Roque d'Anthéron
and at the Festival de la grange de Meslay, Touraine, at the invitation of its artistic director, Sviatoslav Richter. In 1975 he premiered Morton Feldman's Piano and Orchestra with the
Saarbrücken Rundfunkorchester at the Metz Festival directed by Hans Zender. In the same year he made the first complete recording in the West of Dmitri Shostakovich's
24 Preludes and Fugues, Op. 87, and became Membre correspondant of the Fryderyk Chopin Institute, Warsaw. In 1976-80, he began working with Kurt Masur and the Gewandhaus Orchestra. In 1977, he premiered Feldman's solo work Piano, commissioned Elisabeth Lutyens's Nox, Op.118,
and performed at the Valldemosa Chopin Festival. From 1978 to 1988, he performed the complete Beethoven concertos, three cycles of which were directed by Georg Tintner,
and the cycle of Beethoven's 32 piano sonatas in 10 cities. In 1980 he was recipient of the Order of the British Empire and performed the premiere of Xenakis's Mists in Edinburgh.
In 1981 he performed for Queen Elizabeth II and, at London's Institute of Contemporary Arts, the premiere of Morton Feldman's Triadic Memories.
In 1982 he premiered Conyngham's Double Concerto "Southern Cross" with the Polish violinist Wanda Wilkomirska and the Melbourne Symphony Orchestra.
Four years later, he premiered Xenakis' Keqrops, at the Lincoln Center, with the New York Philharmonic Orchestra under Zubin Mehta, and in 1987 he premiered Áskell Másson's piano concerto in Reykjavik.
The following year he directed 25 performances of Xenakis's ballet Kraanerg at the Sydney Opera House in collaboration with Graeme Murphy and the Sydney Dance Company
to celebrate the memory of Charter 77 and the ongoing struggle of Poland's Solidarność Movement. In 1989, Woodward was commissioned by the Festival d'automne à Paris for the bicentennial celebrations of the French Revolution when he premiered his work for two pianos and live electronics-
Sound by Sound. In the same year he founded the Sydney Spring International Festival of New Music (1989-2001) and Alpha Centauri, a new-music ensemble of 23 soloists,
which had presented and recorded Kraanerg. Also in the same year he premiered Rolf Gehlhaar's Diagonal Flying in Geneva with the composer. In 1991, Woodward was recipient of the
Diapason d'or and Ritmo Prize and the following year became Companion of the Order of Australia. He toured Italy, France and the UK with Alpha Centauri during which he premiered
Donatoni's Sincronie. In 1993, Lech Wałęsa, president of a free Poland, conferred the Order of Merit upon him. During the 1990s, Woodward toured Estonia, Latvia and China, co-founded and directed the Kötschach-Mauthner Musikfest (1993-97), and in 1992, directed an all-Xenakis program at
Scala di Milano. He performed at the Hollywood Bowl, Gulbenkian Garden, the Odéon of Herodes Atticus, and in traditions pioneered by Nellie Melba and Percy Grainger,
he performed throughout Central and Regional Australia. He commissioned a series of piano concertos from Larry Sitsky,
the first of which was premiered at the 1994 Sydney Spring International Festival of New Music and cited by the UNESCO International Rostrum of Composers (1995).
In 1996, Woodward composed Five Songs In Memoriam Takemitsu for unaccompanied cello which was performed by Nathan Waks at the Seventh Sydney Spring. Woodward was voted a National Living Treasure by the National Trust of Australia in 1997. During that year he performed at Théâtre Marigny (home to Boulez's Domaine musical)
for the Festival d'automne and worked with Arvo Pärt, Gehlhaar, Rădulescu, Chris Dench and James Dillon, for the premiere of the first part of The Book of Elements in London and subsequently,
at the Sydney Spring. In the same year he founded the Joie et Lumière chamber music festival at Le Château de Bagnols (1997-2004), to celebrate the life and work of Sviatoslav Richter.
He completed the degree of Doctor of Music at the University of Sydney in 1999 and was recipient of four doctorates honoris causa from 1992 to 1998.
In 2001, Woodward was awarded Australia's Centenary Medal; in 2004 the Ordre des Arts et des Lettres Republic of France and in 2005, the Polish Medal z okazji 25. rocznicy podpisania Porozumień
Sierpniowych i powstania NSZZ "Solidarność". From 2000-2001, he was chair of music at the University of New England (Australia)
and in 2002, chair of the School of Music, San Francisco State University. During 2002-2018 he toured with SFSU colleagues-the Alexander String Quartet-
in the United States and Germany where he recorded works of Beethoven, Chopin, Shostakovich and Robert Greenberg. Between 2006 and 2023,
he recorded seventeen projects for the Celestial Harmonies label. His performances of J. S. Bach's The Well-Tempered Clavier, Hans Otte's Stundenbuch,
Shostakovich's 24 Preludes and Fugues Op.87, Debussy's Préludes, Prokofiev's Piano Music 1908-38 and Horaţiu Rădulescu piano sonatas were highly praised.
His performances of J. S. Bach's Partitas BWV 826, 830 and Chromatische Fantasie und Fuge, BWV 903, were awarded the Preis der deutschen Schallplattenkritik (2007).
In 2011 he performed works of Xenakis with L'orchestre national de Lille, the cellist Rohan de Saram and JACK Quartet, at Les flâneries musicales de Reims.
In the same year he was awarded Poland's Gloria Artis (gold class). Woodward is a pianist with a powerful virtuoso technique and his performances are renowned for their precision, insight, and depth of interpretation,
although sometimes reviewed as unorthodox for their modernity. He has received wide critical acclaim as a leading interpreter of avant-garde works of the second half of the 20th century,
including those of: Boyd, Feldman, Gehlhaar, Másson, Takemitsu, Qu Xia-Song, Rădulescu, Xenakis, and recordings with Boulez, Barraqué, Stockhausen, Bussotti, Donatoni, Fariñas, Brouwer,
Conyngham, Edwards, Peter Michael Hamel, Lutyens, Rands and Cage. Steeped in church music and traditional repertoire, Woodward trained throughout his early life to perform
established works side by side with more recent music as part of a belief that music was the essential expression of an experimental process. Most of his concerts reflected this belief
even though such programming was considered unorthodox for the time. In recital, he often programmed traditional 18th and 19th century repertoire with new, little known, or neglected works such as those he championed by experimental fin de siècle Russian,
Ukrainian and early Soviet composers (Alexander Scriabin, Alexander Mosolov, Nikolai Roslavets, Ivan Vyshnegradsky, Nikolai Obukhov, Aleksei Stanchinsky).
Woodward worked with the New York, Los Angeles, Beijing, Israel Philharmonic Orchestra, the Cleveland Orchestra, the five London orchestras, the Hallé Orchestra, London Sinfonietta,
London Mozart Players, London Brass, the Royal Scottish National Orchestra, the Leipzig Gewandhaus Orchestra, Royal Danish Orchestra, L'orchestre National de Paris,
the Gustav Mahler Jugendorchester, EEC Youth Orchestra and the Budapest and Prague Chamber Orchestras. Notable conductors with whom he worked include: Mehta, Abbado, Boulez,
Charles Dutoit, Lorin Maazel, Edo de Waart, Charles Mackerras, Simon Romanos, Kurt Masur, Paavo Berglund, Georg Tintner, Tan Lihua, Erich Leinsdorf, Walter Susskind,
Georges Tzipine, Paul Terracini and Péter Eötvös. As a conductor, some of Woodward's performances include: the Xenakis ballet Kraanerg at the Sydney Opera House; working with the Shanghai Conservatory Orchestra,
the Adelaide Chamber Orchestra and with the Alpha Centauri Ensemble at Scala di Milano, for BBC2 Television, the Festival d'automne à Paris, the Academia Santa Cecilia, Biblioteca Salaborsa,
and for the Sydney Spring International Festival of New Music. He performed with the Arditti, Tokyo, JACK and Alexander String Quartets, with the harpsichordist George Malcolm;
jazz pianist Cecil Taylor in Lisbon, Paris, for the Patras Festival, and for extensive tours of the UK Contemporary Music Network from 1986 to 1994. He worked with musicologists
Charles Rosen, Heribert Henrich, Paul Griffiths, H. C. Robbins-Landon, Richard Toop, Paul M. Ellison, Nouritza Matossian, Brigitte Schiffer and Sharon Kanach; violinists Philippe Hirschhorn
and Ivry Gitlis; violist James Creitz; cellists Rohan de Saram and Nathan Waks; flautist Pierre Yves- Artaud, the ceremonial dancer David Gulpilil (Dalaithngu), and the composers
Frank Zappa and Philippe Sarde. He is published by Greenway Press, N.Y., Pendragon Press, NY, Praeger E. R. P. Musikverlag, Berlin. In 2015, HarperCollins and Kindle published his
autobiography Beyond Black And White-My Life in Music. He is a Fellow of the Australian Academy of the Humanities and a member of the Australian Republic Movement. He received a Gloria Artis medal from the Republic of Poland (2011), and is Commander of the Polish Order of Merit (1993); a Chevalier in the French
Ordre des Arts et des Lettres (2004); Officer of the Order of the British Empire (1980) and Companion of the Order of Australia (1992),
where he was also designated a lifelong National Treasure by the Australian National Trust (1997), and received a Centenary Medal (2001).
He also receieved an honorary LL.D. from the University of Alberta, Canada (1998). Roger Woodward performs with the major orchestras and conductors including the Leipzig Gewandhaus,
New York, Los Angeles and Israel Philharmonics, Orchestre de Paris, the Cleveland Orchestra, London Philharmonia and EEC Mahlerjugendorchester directed by Claudio Abbado, Pierre Boulez,
Charles Dutoit, Eliahu Inbal, James Judd, Lorin Maazel, Sir Charles Mackerras, Sir Roger Norrington, Kurt Masur, Zubin Mehta, and Edo de Waart.
He also worked with Paavo Berglund, Eric Leinsdorf, Witold Rowicki, Georges Tzipine and Walter Susskind. He performed new works by Gilbert Amy, Jean Barraqué, Anne Boyd,
James Dillon, Franco Donatoni, Morton Feldman, Rolf Gehlhaar, Peter Michael Hamel, Askell Masson, Richard Meale, Olivier Messiaen, Hans Otte, Arvo Pärt, Horatiu Radulescu,
Larry Sitsky, Karlheinz Stockhausen, Toru Takemitsu, Xu XiaoSong and Iannis Xenakis. His passion for chamber music involved him in performances with a wide range of artists including the Vienna Trio, Alexander, Arditti, Edinburgh and Tokyo String Quartets, Jacques Thibaud Trio/Quartet, Frank Zappa, Ivry Gitlis, Synergy Percussion (Sydney) and with the Sydney Dance Company in a production of Xenakis's Kraanerg.  Roger Woodward during a TV interview on the Australian ABC network. The London Guardian described him as a "pianistic genius"; Le Monde de la Musique, Paris, for his Debussy performances, as "magnificent"; in Edinburgh,
he was described as a "musician's musician" and at the Toulouse Festival, the French Press wrote:
"Roger Woodward compte parmi les musiciens internationaux de premier plan à notre epoque". The Financial Times, London, called Woodward
"one of the most consistently exciting and convincing interpreters of virtuoso avant-garde music". "... fingers and nerves of steel ..." "... magical sounds came from every part of the instrument ..." discography |
 |
Woodward was born in the Sydney suburb of Chatswood where he received his first piano lessons from Winifred Pope.
Early studies of Bach organ works with Peter Verco were followed by a training in church music with Kenneth R. Long, organist and master of the choristers at St Andrew's Cathedral, Sydney.
He performed for the papal organist Fernando Germani and Sir Eugene Goossens, after which he entered the Sydney Conservatorium in the piano class of Alexander Sverjensky
and the composition class of Raymond Hanson. While still a student, in 1963 he founded the city's international piano competition with widespread community support. He graduated the same year.
In 1964, he won the Commonwealth Finals of the Australian Broadcasting Corporation's Instrumental and Vocal Competition, the prize for which was to perform throughout Australia
with the six ABC state radio orchestras and in multiple radio and television broadcasts.